Stunning Decoration on Pakistani Trucks | Truck Painting Addiction Pictures

Under the shade of a colossal banyan tree, Karachi truck painter Haider Ali, 22, is putting the finishing touches on his latest creation: a side-panel mural of Hercules subduing a lion, rendered in iridescent, undiluted hues of purple, yellow, red and green. His 10-year-old nephew, Fareed Khalid, applies a preparatory undercoat of white paint to the taj, the wooden prow that juts above the truck’s cab like a crown. Like Ali’s father, who first put a brush into his son’s hand at age eight, Haider is carrying on a master-apprentice tradition with Fareed, who spends his afternoons in the painter’s workshop after mornings in school.

Lying on his back beneath the truck—a 10-ton, six-wheel Japanese Hino—a body repairman strings a chain of hammered steel peepul leaves to dangle around the chassis. When the truck is under way, these metal leaves will clang together, creating a cacophony that is music to a driver’s ears. Above the chain man, a carpenter is chiseling out the wooden panels adorning the doors. Nearby, the truck’s owner sits observing the work in progress as an outdoor barber lathers the man’s face for a shave. A crooning pop tune crackles out of a tinny radio as a pair of pariah kites flutters noisily home to roost. Welcome to Garden Road, the traffic-choked heart of Karachi’s booming truck-painting industry.

Video's On Stunning Truck Painting Art

All across Pakistan, this rolling folk art has turned village lanes, city streets and long-distance highways into a national gallery without walls, a free-form, kaleidoscopic exhibition in perpetual motion. The vast majority of Pakistan’s trucks, buses and motorized rickshaws are riots of color, bedizened top to bottom with eye-popping landscapes, portraits, calligraphic poetry, religious verses and wisecracking expressions of star-spangled banter. Only the biggest, blandest container freight trucks, the 18-wheeler rigs, escape decoration, looking naked by comparison.

The dazzling, eclectic choice of images is a cultural grab bag, mingling with equal gusto East and West, secular and sacred. Pakistani film stars like Musarrat Shaheen and athletes like cricket legend Imram Khan vie for space with figures from Greek myth and European icons from the Mona Lisa to Princess Diana. Decked out with romanticized visions of Pakistani military heroes like Sarwar Shaheed, F-16 fighter jets and Ghauri missiles, some trucks become roving patriotic billboards. Others give prominence to religious shrines like the Ka’bah in Makkah and the Faysal Mosque in Islamabad, or they display verses writ large on an image of an open Qu’ran. The Prophet’s winged horse, Buraq, is a favorite emblem, handily symbolizing trustworthy devotion and speed. Dreamlike scenes of wooded lakes and snow-capped mountains, alpine hunting lodges and tigers chasing deer are framed by flowers and diamond-shaped reflective strips in bright red, orange and green.

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